Samsung brings speedy UHS-I class SD and microSD memory cards in new 64GB sizes to IFA 2012

We’ve seen UHS-I class SD and microSD cards capable of incredible speeds before, and Samsung unveiled a few 16GB microSD modules of its own earlier this year, but now it’s showing off 64GB sized versions at IFA 2012. The top of the line Pro editions intended for high speed LTE-connected phones and tablets are capable of read/write speeds at 80MB/40MB per second (SD) and 70MB/20MB per second (microSD). If you’re not with us in Germany, you should be able to get your hands on them in mid-October.

Samsung Tomorrow (Korea)

Canon Cinema EOS C500 camera hands-on (video)

The familiar EOS-1D C isn’t the only Canon camera to make its public debut ahead of NAB. The Cinema EOS series welcomes a third model to the collection this week, with looks that nearly match last year’s C300. Unlike that model, which you can already pick up through e-tailers and at specialty shops, the C500 has a long way to go before it gets a shipping nod — it may not even make it to market in 2012. The $30,000 price tag may pose an even greater barrier to entry than its to-be-announced availability date, however, and may in need of some tweaking before it’s ready to compete with already established models, like the much less expensive RED Scarlet. Like the 1D C, the C500 can shoot 4K video — the most apparent upgrade from the $16,000 C300. To that end, boosting its price tag may be the only way for Canon to avoid cannibalizing that less-abled flavor, since many cinematographers would otherwise pay little attention to the C300, due in part to its 1080p-limited shooting capabilities.

Nikon announces D4 DSLR camera: full-frame 16.2 MP sensor, 204,000 extended ISO, XQD support, $6,000 price tag

More than two years after the D3S began shipping and roughly a half-decade after we first got a peek at the D3, Nikon has finally announced the full-frame DSLR’s long-awaited successor. As expected, the Nikon D4 boosts both megapixel rating (to 16.2) and extended ISO (204,800 at Hi-4), and includes a brand new full-frame FX-format sensor. Video capture also jumped from 720/24p to 1080/30p, but so did the camera’s somewhat-out-of-reach price tag — you’ll be dropping $5,999.95 when the D4 hits stores in late February. You’re clearly not spending all that hard-earned photo dough for nothing, though. There’s also a 91k-pixel RGB 3D Color Matrix Meter III, compared to a 1,005-pixel meter in the D3S, enabling the camera to evaluate the color and brightness of a scene with much greater precision, yielding much more accurate results. And since the D4 reportedly offers phenomenal low-light performance, you’ll probably be using it quite often in the dark — letting you get good use out of the new back-lit controls.

Photographers can preview images using the 921k-dot 3.2-inch LCD, which offers a 170-degree viewing angle and ambient light sensor. HD video can be previewed on the display as well, or directly through the HDMI port, which also supports uncompressed 8-bit preview video output with optional overlay. Naturally, the D4 is fast. It can power on and be ready to shoot in approximately 0.012 seconds, and can capture 10 fps stills at full resolution with full auto focus and exposure. Willing to lock both AF and AE? The D4 goes to 11. A new 51-point AF system offers full cross-type focusing that’s compatible with all Nikon lenses, even when paired with a teleconverter. The D4 includes two card slots with support for both UDMA-7 CF and the recently-announced XQD format, which brings write speeds of up to 125 MB/s — enough to capture 105 consecutive RAW images at 10 fps. You’ll find full details and specs on the D4 just past the break, along with an overview of Nikon’s new AF-S NIKKOR 85mm f/1.8G FX-format lens, which is set to ship in March for $499.95.

Canon EOS-1D X first hands-on (video)

Professional photographers know the drill: every few years, Canon or Nikon announces a game-changing DSLR, often prompting top photogs to unload their complete kits and switch to another system in a never-ending attempt to shoot with the best. This time, Canon is first out of the gate, with its flagship EOS-1D X — the latest in a series that dates back to 2001 with the EOS-1D. As you’ve probably noticed, the company’s new top model looks virtually identical to its decade-old ancestor, but is otherwise a far cry from that four megapixel CCD sensor-sporting dinosaur. We’ve been anxiously awaiting an opportunity to check out Canon’s new $6,800 18.1 megapixel full-frame model since first getting word of the beastly camera last week, and just had a chance to go hands-on during the company’s Pro Solutions event in London. Jump past the break for our impressions and a video walkthrough.

Canon Ambassador Frits van Eldik’s first impressions of the EOS-1D X (Video)

Canon announces EOS-1D X: full-frame 18MP sensor, 14 fps, 204,800 top ISO, $6,800 price tag

Stick a piece of gaffer tape over the unmistakable X, and Canon’s latest EOS-1D pro-level camera will look virtually identical to every 1D model that came before it. But once you flip up the power slider, this new king of the jungle will hum like no other. Canon’s phenomenally powerful EOS-1D X really sounds like the DSLR to rule them all. Its 18 megapixel full-frame sensor uses oversized pixels to battle noise and is supported by a pair of Digic 5+ imaging processors, which also help drive a 61-point high density reticular AF system, a top ISO setting of 204,000 (51,200 native), a 252-zone metering system, a 14 fps JPEG (or 12 fps RAW) burst mode and a built-in wired gigabit LAN connection, for remote shooting and image transfer. The camera’s curious single-letter name represents a trio of industry milestones: the X is the 10th generation Canon professional SLR (dating back to the F1 in the 1970s), it’s a crossover model, filling in for both the 1D Mark IV and 1Ds Mark III (which has been discontinued), and, well, it sounds to be pretty darn “Xtreme.”

Sigma SD1 starts shipping in June for $9,700, has its sights set on medium format lovers (Video)

Sigma knows that $9,700 is a lot of money to pay for, well, anything, so it’s couching the hefty price tag on its new flagship DSLR, the SD1, in the context of it competing against medium format digital cameras — whose prices don’t generally fall below five figures. Trouble is, as professionally inclined, well designed, and durably built as the SD1 may be, it still only packs a 15.3 megapixel CMOS sensor that spans 24mm x 16mm (or APS-C size). That means it’ll have to earn its stripes on the battlefield of image quality, which it’ll be ready to march onto in less than a month’s time. Sigma promises to start shipping units in early June, so if you have the cash to spare (plus a little extra to fund a suitably awesome lens), you can start building up your anticipation today. Full PR and camera specs can be found after the break.

Panasonic's AG-3DA1 camera will shoot 3D video, Robonaut vlogs on the International Space Station

NASA’s Robonaut 2 is something of a celebrity around these parts, owing to his dashing good looks and insatiable appetite for publicity, which can now be put to good use with a new toy the landlubbers are sending his way: a professional 3D camera. The human-aiding robot that presently calls the International Space Station home will soon be joined by Panasonic’s AG-3DA1, a full 1080p 3D video recorder with twin lenses and dual 2 megapixel 3MOS sensors. Panasonic is also loading up the next Space Shuttle Atlantis flight to the ISS (scheduled for June 28th) with 25.5-inch 3D LCD monitors and rugged Toughbook laptops to help with documenting proceedings aboard the research vessel. The new shooter costs a whopping $21,000, and though it’s not clear whether NASA paid for it or Panasonic just decided to be charitable, the space agency should have the cash to splash after deciding to shelve the James Cameron-approved project to slap a zoom-equipped 3D imager on its next Mars rover. We’re just wondering if the human world is quite ready for 3D video blogs from its favorite robotic astronaut.

Canon's XF305 and XF300 pro camcorders can now shoot in 3D… if you buy two of them (Video)

Make no mistake: that whole 3D-everything trend is snaking its way into professional-grade products. Canon has issued a firmware update allowing its year-old XF305 and XF300 pro camcorders to record 3D HD video. There’s a catch, though: you’ll need two of these bad boys, which cost a princely $8,000 and $6,700, respectively. For those with a well-stocked studio, Canon’s “3D Assist Feature” aims to take some of the grunt work out of setting up two cameras to record in 3D by optically aligning their lenses and calibrating their zoom settings. The company also beefed up the scan reverse feature so that you can flip the orientation of the video to horizontal, vertical or diagonal — a strong likelihood if you’re using a 3D mirror rig. Canon slipped in a few extra goodies as well, including the ability to turn off relay recording from one memory card to another, and to simultaneously record to two memory cards, should you be paranoid about data loss. So what are you waiting for? Download the update. And, you know, get yourself a second camera.

Pioneer HDJ-500 Pro DJ headphones

As time rolls on and the tools of the DJ trade evolve with each passing year, one of the fundamental pieces of a DJ’s setup remains largely unchanged: headphones. Any DJ who has been at it for a bit probably has his or her favorite set of phones, and as such there might not be much incentive to keep up with the latest and greatest of what’s released. However, if you do find yourself in the market for a new pair, or if you are a new DJ just starting out, there is a sea of options out there right now. Late last year, Pioneer entered their latest stake in the game with the HDJ-500—the most affordable of their Pro-DJ headphone line released to date.

Any mention of Pioneer’s HDJ line has to start with the HDJ-1000s, the standard-bearer going on almost a decade now. Many users swore by them and they were apparently so beloved that Pioneer decided to release a “limited edition” recently, with an option to get them with a flashy gold paint job. The HDJ-2000 showed up in 2008, an expensive high-end set that made little compromise in quality. Finally now, with the HDJ-500, Pioneer seems to be filling in the gap left on the lower end—with three color options and a much lower MSRP of $125.

Apogee rolls out Duet 2 pro audio interface for Macs

Recently drop $500 on an Apogee Duet audio interface for your Mac after pondering one for all these years? Then we’re afraid we’ve got a bit of bad news for you, as the company has now finally rolled out a successor to the highly-desirable device. Apparently redesigned from the ground up, the new Duet 2 expectedly ditches FireWire in favor of USB, and packs some “completely redesigned” mic preamps and converters, along with two inputs and four outputs, a pair of configurable touch pads, and even an all new OLED display that replaces the basic LED meters on the original. Of course, the one thing that stays the same is the professional-level price — look for this one to set you back $595 when it’s available next month.

Lexar now shipping 128GB and 64GB SDXC cards from the future straight to your door

One of the great many announcements of CES 2011 was Lexar’s new pair of Class 10 SDXC memory cards, one sized at 64GB and the other touting a spectacular 128GB capacity. The two performance — minimum transfer speeds of 20MBps — and storage enhancers for DSLRs and camcorders have now started shipping, asking for a measly $200 and $330, respectively. Those are steep price hills to climb, to be sure, but they’re peanuts compared to the initial $400 and $700 MSRPs that Lexar was touting back in January. And hey, that Professional label adorning the new cards isn’t there accidentally either, Lexar’s offering a limited lifetime warranty with each storage cell. Full press release and locations where you can buy the new SDXC lovelies await after the break.